— The Role: Costume Designer —
Shanghai Concert Hall Production
@Shanghai Concert Hall
— The Role: Costume Designer —
Xi’an Children’s Art Theatre Production
@Xi’an Children’s Art Theatre
— The Role: Set & Costume Designer —
@Shenzhen Wan Xiang Tian Di Theatre, CR Land
— The Role: Costume Designer —
Focusing on the internet violence and the harm caused by language, the musical Words as Weapons uses an immersive drama form, allowing viewers and actors to experience everything that happened in the drama at a close distance. With multiple combinations of spinning stage blocks, quick-shifting costumes/ props, and improvisation live bands, this production challenges the boundary between immersive theatre and live concert.
Produced by iMusical
— The Role: Designer/ Devising Performer —
@The Cockpit, London, as part of Camden Fringe 2018
Based on true stories about turning-point events in life, the devised performance “Floating Citizens” is a multi-disciplinary collaboration of traveling female Chinese artists. It probes into people’s struggle for autonomy in the conditions of super-modernity, and how culturally specific experiences have global relevance, from a personal and physical perspective.
Created by Yumei Move/ July Yang/ Renfei Huang/ Sha Lu
— The Role: Assistant Costume Designer of Kym Barrett, the costume designer
Director: Philippe Decouflé/ Set Designer: George Tsypin/ Video: Platige Image Studio
@Shanghai Culture Square, 2019
Based on the Hugo Award-winning novel The Three-Body Problem: the Dark Forest by Liu Cixin, this 3D science fiction stage drama "Three-Body II: The Dark Forest" is a large-scale multimedia stage drama produced by LotusLee's future drama studio.
— The Role: Costume Designer —
Beijing Children’s Art Theatre Co,Ltd Production
Director: Xiaoyi Liu, Puppetry Director of WarHorse China.
— The Role: Costume Designer —
A family musical theatre adaptation from Sergei Prokofiev’s classic musical composition in 1936.
Director: Xiaoyi Liu, the Puppetry Director of WarHorse China
— The Role: Costume & Set Designer & Maker/ Director —
@ The Black Lab, Central Saint Martins, London
The project achieved the 1st Distinction ( top 10% ) in BA Costume Design for Performance in London College of Fashion.
This performance based on the narrative of the tragic love relationship between the English romantic poet John Keats and his fiancee Fanny Brawne. Focusing on two particular stages of their relationship when she immerses into the memories of John and when she is forced to face the truth of Keats’s death.
— The Role: Designer & Director —
@Platform Theatre, London
An immersive movement-based performance looks at the idea of repetition and the circle of life.
Inspired by ‘rondo’, a type of musical form that involves repetition, refrain and layering, this performance looks into self-prying, self-searching, self-debate and self-discovery. Instead of using the traditional theatre space as it is, this show creates a new immersive perspective to the audience in re-designing the layout.
It is a research performance project that blurs the idea between set and installation art, costume and character, audience and performer, theatre and space.
— The Role: Costume Maker / Wardrobe Assistant —
Unicorn Theatre, London
Directed by Ellen McDougall, based on the picture-book by David McKee
'...when we see the full monster costume the kids squeal with delight.' --- The Guardian, 2014
Bernard’s got a problem.
He’s found a monster in the back garden but his mum and dad are just too busy to notice. So Bernard tries to befriend the monster…and that doesn’t go quite to plan.
— THE ROLE: COSTUME DESIGNER & MAKER —
Costume Design for Ellen Hutter
Inspired by Guillermo del Toro's film style, this design project was a contemporary twist of the 1922 German Expressionist horror film Nosferatu, directed by F. W. Murnau.
— The Role: Costume Designer —
Directed by: Rudy Hartt
Studio Theatre, Central Saint Martins, London
In 2014, a group of UAL students and actors came together to create their theatre production of 'The Macropulos Case' by writer and dramatist Karel Čapek.
Key scenes from the play were filmed at the Central Saint Martins Studio Theatre in the form as a technical rehearsal.
— The Role: Set/ Costume/ Prop Designer & Maker —
Little Player Theatre Production
